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What do Murder Duck and Impressionist Berthe Morisot Have to do with Plot?
How are YOU creating a character-driven novel? Please share with us in the comments below.
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An Interview with Janet Lee Carey on Deep Characterization
Many people have been asking me what Deep Characterization is. I know what it is to me, but I wanted to share some of Janet Lee Carey’s thoughts on her Deep Characterization practice, which she’ll unpack even more at the Full-Bodied Novel retreat in July. Janet has just returned from a meditation retreat in Hawaii.
Katherine: Welcome back, you lucky girl! How are you doing?
Janet: Today I woke up groggy.
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That Character You Love to Hate
Sometimes it’s the little things…
Writing antagonists can be almost too much fun. Of course, we don’t want to make the ALL bad. We need to show them as balanced human beings. But when you first introduce an unpleasant character, how do you show he’s unpleasant?
I thought we’d take a little stroll through The Summer of No Regrets, so you could meet a favorite nasty character of mine,
I have never told you
“I have never told you.” Five words that can deepen your characters, add page-turning plot elements, and shed light on motivation.
When I talk to my characters (and yes, I do this frequently–it’s a relationship that must be maintained), I’m gratified when they talk back. And they will, if you know what to ask them.
Try this:
- Go to a quiet place where you can concentrate.
The Violin Diet
With the Full-Bodied Novelist Retreat coming up this weekend, I’ve been playing the violin again. There is a connection, so stay with me here.
I usually let months go by without my music. I play only to prepare for performance, thinking I need an “excuse” to play. But lately I have played for the sheer joy of playing with no audience but the Universe. I work on a piece that is hard for me,
When It’s Hard to Relate
As a writer you know you must allow your characters to live through you as they unfold on the page. But what if the character feels unlike you? A character you can’t relate to is hard to, well, relate. But you WANT characters who are different from you–whether they are sympathetic, antagonistic, or simply “other” because they are outside of your community or life experience.
When you find the connection point with such a character you expand your empathy,
Character Mashup–“Maybe Dats Your Pwoblem, Too”
This poem, by Jim Hall, is one of my favorite mashups, and I often read it in Talking to Your Characters and in Teen Poets at Bellevue College.
To see Jim Hall’s take on his poem, as well as the entire poem printed out, go here.
Another game to try! Do one OR MORE of the following:
1.
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Talking to Your Characters–Give Them a “Dear Character” Column
Dear Character,
Twelve and a half weeks ago I loaned my best friend a set of “Cooking with Salt” DVDs, which were a gift from my former best friend. I have asked her every week if she is done with them. Seven weeks ago, my boyfriend began cooking everything with salt. He said he was experimenting. Five weeks ago, while searching my best friend’s apartment for my DVD set,
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