It was my first trip abroad in 32 years. For two months I wandered solo from Paris to the French countryside and attempted time-travel. In my computer was a half-completed novel called Looking Glass Girl.
I’ll start my story near the end, with a poem I wrote in the final days of my artist residency at Camac Centre d’Art in Marnay-sur-Seine, population 236.
The real story is that I struggled with my novel and its painful subject matter.
Many people have been asking me what Deep Characterization is. I know what it is to me, but I wanted to share some of Janet Lee Carey’s thoughts on her Deep Characterization practice, which she’ll unpack even more at the Full-Bodied Novel retreat in July. Janet has just returned from a meditation retreat in Hawaii.
Katherine: Welcome back, you lucky girl! How are you doing?
I loved IN THE TIME OF DRAGON MOON! And not just because I was around as it was being born. Reading the finished book (which I stayed up all night to do), was a completely different experience from hearing tantalizing bits of the manuscript during the three years Janet was writing. I loved living in the pages of this book with the spirited Uma, and Jackrun, the boy who breathes fire and has dragon in his blood.
I don’t know about you, but after years of writing, I notice that I get into a stylistic rut. As I have mentioned before on this blog, the solution is theft. Today I’m going to steal from author Janet Lee Carey, creator of Dragon’s Keep, The Beast of Noor, Dragonswood and many other books. This particular bit of larceny is from The Beast of Noor.
Teens have taught me a bunch about writing over the last couple of decades–both the teens who have already written five novels and the ones who would rather scrub under the refrigerator than pick up a pen. For a lot of teens, writing was ruined for them by third grade. For others, dutifully writing their five-paragraph essays, their love affair with writing is made up of clandestine moments,
One of the things I loved about this book, besides the winsomeness of its protagonist, Stevie, was that it didn’t present easy answers. Stevie has grown up in an intolerable situation, but she loves her mother despite her mother’s flaws, and is determined to be loyal to her.
Many of you have asked me about writing workshops for adults. Unfortunately I have less and less time to teach, due to current writing commitments. (Did I mention I have an agent? I have an agent! Just in case you missed that…) So what did I do? I enlisted five friends, who ALSO have pressing creative deadlines,